Kristi Brown Montesano
Lecturer in Musicology

Dr. Kristi Brown-Montesano approaches graduate seminars, adult-education classes, podcasts,  and pre-concert lectures with the same philosophy: that offering context—rigorously researched, provocative, and humanistic—empowers listeners and musicians to make their own meaningful connections to music. A faculty member at the Colburn School Conservatory of Music from 2003–22, she served as Chair of Music History and helped shape the institution’s degree programs. Today, Brown-Montesano is a Lecturer in Musicology at the UCLA Herb Alpert School of Music as well as a popular public scholar, collaborating with the Los Angeles Opera, Los Angeles Philharmonic, and numerous other organizations.

Brown-Montesano broke new critical ground with her book Understanding the Women of Mozart’s Operas (University of California Press, 2007); the book’s feminist lens has attracted a growing audience of readers interested in the ethics of opera culture and production, prompting a new paperback edition in 2021. Other research areas include classical music in film, music and Sherlock Holmes, and popular reception of J.S. Bach in postwar America. For more information, visit kristibrownmontesano.com.

Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Kat De Nicola
Assistant to the Chair - Department of Musicology and Global Jazz Studies Program
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Jenny Olivia Johnson
Associate Dean for Diversity, Equity and Inclusion, Associate Professor - Musicology
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Joy H. Calico
Professor and Chair of Musicology
Mark Kligman
Mickey Katz Chair of Jewish Music and Professor - Musicology, Ethnomusicology, and Humanities, Director of Lowell Milken Center for Music of American Jewish Experience
Nina Eidsheim
Professor of Musicology, Founder and Director of UCLA PEER Lab
Holley Replogle-Wong
Lecturer in Musicology, Program Director of Center for Musical Humanities
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Mitchell Morris
Professor Emeritus - Musicology
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Cesar Favila
Associate Professor - Musicology, Director of Undergraduate Studies
Raymond Knapp
Distinguished Professor of Musicology, Disability Studies, and Humanities; Director of the UCLA Center for Musical Humanities; Director of Graduate Studies in Musicology
John Lee
Manager, Ethnomusicology & Musicology Departments
Elizabeth Randell Upton
Associate Professor - Musicology and Humanities

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music