Adam Moseley
Lecturer - Music Industry (Studio Production)
Adam Moseley started at the legendary Trident Studios in London in 1978 and quickly became established as an innovative engineer, mixer and producer.
Adam has an impressive reputation for his eclectic work with John Cale, Wolfmother, U2, Nikka Costa/Lenny Kravitz/Prince, Beck/Jack White, Roxette, Maxi Priest, Richard Marx, The Cure, Kiss, Visage, Rush, Ketama, The Buggles, The Blow Monkeys, Jose Carreras, Michael Brecker, Branford Marsalis, Tina Turner, Baaba Maal, Earth Wind and Fire, Hoagy Carmichael.
Film and TV score mixing credits include “The Big Wedding” (Robert De Niro, Diane Keaton, Susan Sarandon, Robin Williams), Spike Jonze’s “I Am Here, “The Americans”, “True Blood” and Oscar nominated movie “The Dark Valley.”
Masters of
the Craft
– Adam Moseley
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Beyond the Speakers | Innovating Music Podcast
Find all episodes on Apple Podcasts or at this link. Gigi Johnson, director of the Center for Music Innovation, interviewed Adam Moseley, a long-time producer/mixer/engineer who is exploring new adventures…
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
The Vanderveers: Bruce “Automatic” Vanderveer & Ebony Rae Vanderveer
Lecturers - Music Industry (Creativity and Artist Development)
Kathryn Frazier
Lecturer - Music Industry
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Chyna Ellis
Assistant to the Chair - Music Industry Program
David Leaf
Adjunct Associate Professor - Music Industry and Musicology
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Erik Madrid
Lecturer - Music Industry (Mixing)
Justin Paul
Lecturer - Music Industry
Marc Cimino
Lecturer - Music Industry (Music Publishing)
Stig Edgren
Lecturer - Music Industry
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Dawnyelle Addison
Manager - Music Industry Program
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
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