Adam Moseley
Continuing Lecturer - Music Industry (Studio Production)
Adam Moseley started at the legendary Trident Studios in London in 1978 and quickly became established as an innovative engineer, mixer and producer.
Adam has an impressive reputation for his eclectic work with John Cale, Wolfmother, U2, Nikka Costa/Lenny Kravitz/Prince, Beck/Jack White, Roxette, Maxi Priest, Richard Marx, The Cure, Kiss, Visage, Rush, Ketama, The Buggles, The Blow Monkeys, Jose Carreras, Michael Brecker, Branford Marsalis, Tina Turner, Baaba Maal, Earth Wind and Fire, Hoagy Carmichael.
Film and TV score mixing credits include “The Big Wedding” (Robert De Niro, Diane Keaton, Susan Sarandon, Robin Williams), Spike Jonze’s “I Am Here, “The Americans”, “True Blood” and Oscar nominated movie “The Dark Valley.”
Masters of
the Craft
– Adam Moseley
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Beyond the Speakers | Innovating Music Podcast
Find all episodes on Apple Podcasts or at this link. Gigi Johnson, director of the Center for Music Innovation, interviewed Adam Moseley, a long-time producer/mixer/engineer who is exploring new adventures…
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Marc Cimino
Lecturer - Music Industry (Music Publishing)
Erik Madrid
Lecturer - Music Industry (Mixing)
David Leaf
Adjunct Associate Professor - Music Industry and Musicology (Music Documentaries, Songwriting, History of Popular Music)
Bruce “Automatic” Vanderveer and Ebony Rae Vanderveer
Lecturers - Music Industry (Creativity and Artist Development)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Robert Fink
Professor and Chair – Music Industry, Professor - Musicology And Humanities (History and Analysis of Popular Music, Internships And Industry Partnerships), Director Of The Berry Gordy Music Industry Center
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
David MacFadyen
Professor - Music Industry, Musicology and Comparative Literature (Career Skills, History of Music Industry, Internships), Director of Graduate Programs
Tony Brancato
Lecturer - Music Industry (Influence and Data Mining)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Kathryn Frazier
Lecturer - Music Industry (Effective Communication and Self-Actualization)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
Justin Paul
Lecturer - Music Industry (DJ as Performer, Music Industry Fundamentals)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Jonathan Beard
Continuing Lecturer - Music Industry (Electronic Music) and Composition
Thomas Hodgson
Associate Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Stig Edgren
Lecturer - Music Industry (Concert Promotion)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Mark Tramo
Adjunct Associate Professor - Neuroscience (Music, Mind, and Brain)
Dawnyelle Addison
Manager - Music Industry Program
Adam Hirsch
Lecturer - Music Industry (How Music Works)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Tiffany Naiman
Academic Administrator and Instructor - Music Industry (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry, Career Services
Chyna Ellis
Assistant to the Chair - Music Industry Program
Tina Farris
Lecturer, Music Industry (Live Music Touring)
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