Adam Moseley
Continuing Lecturer - Music Industry (Studio Production)
Adam Moseley started at the legendary Trident Studios in London in 1978 and quickly became established as an innovative engineer, mixer and producer.
Adam has an impressive reputation for his eclectic work with John Cale, Wolfmother, U2, Nikka Costa/Lenny Kravitz/Prince, Beck/Jack White, Roxette, Maxi Priest, Richard Marx, The Cure, Kiss, Visage, Rush, Ketama, The Buggles, The Blow Monkeys, Jose Carreras, Michael Brecker, Branford Marsalis, Tina Turner, Baaba Maal, Earth Wind and Fire, Hoagy Carmichael.
Film and TV score mixing credits include “The Big Wedding” (Robert De Niro, Diane Keaton, Susan Sarandon, Robin Williams), Spike Jonze’s “I Am Here, “The Americans”, “True Blood” and Oscar nominated movie “The Dark Valley.”
Masters of
the Craft
– Adam Moseley
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Beyond the Speakers | Innovating Music Podcast
Find all episodes on Apple Podcasts or at this link. Gigi Johnson, director of the Center for Music Innovation, interviewed Adam Moseley, a long-time producer/mixer/engineer who is exploring new adventures…
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Erik Madrid
Lecturer - Music Industry (Mixing)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Dawnyelle Addison
Manager - Music Industry Program
Thomas Hodgson
Associate Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
David Leaf
Adjunct Associate Professor - Music Industry and Musicology (Music Documentaries, Songwriting, History of Popular Music)
Marc Cimino
Lecturer - Music Industry (Music Publishing)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Justin Paul
Lecturer - Music Industry (DJ as Performer, Music Industry Fundamentals)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Robert Fink
Professor and Chair – Music Industry, Professor - Musicology And Humanities (History and Analysis of Popular Music, Internships And Industry Partnerships), Director Of The Berry Gordy Music Industry Center
Stig Edgren
Lecturer - Music Industry (Concert Promotion)
David MacFadyen
Professor - Music Industry, Musicology and Comparative Literature (Career Skills, History of Music Industry, Internships), Director of Graduate Programs
Tina Farris
Lecturer, Music Industry (Live Music Touring)
Mark Tramo
Adjunct Associate Professor - Neuroscience (Music, Mind, and Brain)
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Adam Hirsch
Lecturer - Music Industry (How Music Works)
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Bruce “Automatic” Vanderveer and Ebony Rae Vanderveer
Lecturers - Music Industry (Creativity and Artist Development)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Jonathan Beard
Continuing Lecturer - Music Industry (Electronic Music) and Composition
Tiffany Naiman
Academic Administrator and Instructor - Music Industry (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry, Career Services
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Kathryn Frazier
Lecturer - Music Industry (Effective Communication and Self-Actualization)
Tony Brancato
Lecturer - Music Industry (Influence and Data Mining)
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
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