Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program

Australian flutist Catherine Gregory, winner of the Pro Musicis International Award, enjoys a dynamic career as a soloist, ensemble player, and teaching artist. Her performances of music old and new have taken her across the globe from Alice Tully Hall in New York, to London’s Milton Court, Hamburg’s new Elbphilharmonie, and the Sydney Opera House.

Catherine, who first came to the United States as a Fulbright Scholar, is a sought-after recitalist and chamber musician, with performances at Carnegie Hall, with the Chamber Music Societies of Lincoln Center and Philadelphia, Camerata Pacifica, Caramoor, Bay Chamber Festival, Við Djúpið Festival in Iceland and the Southern Cross Soloists. She has toured internationally with the Orpheus Chamber Orchestra and the Australian Chamber Orchestra, and has played numerous cycles as guest principal flute with the Malaysian Philharmonic Orchestra.  Catherine is a core-artist of Decoda, the affiliate ensemble of Carnegie Hall, serving as co-artistic director of the group from 2017-2020.

Catherine is deeply passionate about the power of music to forge direct and impactful connections with all communities. Catherine’s current project, Just Breathe, embodies her creative spirit as a commissioner of new music and artist citizen: it is both a performance of new commissions from leading composers such as Clarice Assad, Viet Cuong, Timo Andres and Juhi Bansal, as well as a series of interactive performance workshops for cancer patients, providers and caregivers that explore the intersection of breath and music.

Committed to nurturing the next generation of young artists, Catherine has established herself as an accomplished pedagogue, having served as visiting Flute Lecturer at Lawrence University in Wisconsin, and as the flute faculty member for the Decoda Chamber Music Festival and the Emerging Composers Intensive.

Catherine is a faculty member of The UCLA Herb Alpert School of Music as a lecturer in music, music industry (artistic citizenship and community engagement), and is also the newly appointed director of the Gluck Fellowship Program, leading the UCLA Gluck Fellows in their music ensembles to engage, connect and share live chamber music performances at non-traditional venues all around the city of Los Angeles. Catherine also serves on the faculty of The Colburn School and has given masterclasses and led residencies at leading music schools internationally, from The Tianjin Juilliard School, to Curtis, to the Guildhall School in London. Catherine’s recent album together with pianist David Kaplan, entitled Vent, was released on the Bright Shiny Things label in September 2023.

GRAMMY Award Nominations in 2024
The UCLA Herb Alpert School of Music is proud to share that faculty and alumni were well represented at this year’s GRAMMY Awards. In all, twelve faculty and four alums
Meet the New Director of the UCLA Gluck Fellows Program
Originally from Australia, Catherine Gregory is the new director of the UCLA Gluck Fellows Program which wrapped up its 2023-24 season with its annual showcase. Gregory, who performs internationally as
Decoda's Album Reviewed in New York Times
The New York Times picked its monthly five albums you can listen to right now, and Decoda’s debut, self-titled album made the list. Praising (among other things) Catherine Gregory’s skillful
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Adam Moseley
Lecturer - Music Industry (Studio Production)
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Erik Madrid
Lecturer - Music Industry (Mixing)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
David Leaf
Adjunct Associate Professor - Music Industry and Musicology
Justin Paul
Lecturer - Music Industry
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Stig Edgren
Lecturer - Music Industry
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Marc Cimino
Lecturer - Music Industry (Music Publishing)
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Dawnyelle Addison
Manager - Music Industry Program
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Kathryn Frazier
Lecturer - Music Industry
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music