Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting) , Music Industry

Ames was born in Tulsa, Oklahoma, but spent her most formative years in San Pedro Sula, Honduras living as a ‘missionary kid’ with her siblings and parents. While being raised in a fundamentalist Christian home, she came to the early realization that she was queer. “…The ‘dissonance’ between my identity and my environment has strongly influenced my music throughout my career.”

Ames began performing at four years old, competing in classical piano competitions around the state of Oklahoma. She also began singing in church, taking part in various praise and worship groups while accompanying herself on guitar. In 2004 Ames moved to Los Angeles and began her solo career as a singer-songwriter, performing shows around the country and opening for such artists as The Veronicas, Andy Grammar, and Gavin Rossdale.

After signing with Kobalt Music Publishing in 2015, Ames began co-writing with other artists like Kelly Clarkson, Rita Ora, Kali Uchis, AKON, Jason Mraz, and Chappell Roan. She’s worked alongside Grammy-Award-winning producers such as FINNEAS, Dan Nigro, and Patrick Carney of the Black Keys. Along with Molly Kate Kestner and Nick Ruth, Ames had cuts on Kelly Clarkson’s “Meaning of Life”, which was nominated for a Grammy in 2018.

Ames’ performances and songs can be heard in a multitude of TV/film placements including The Blacklist, Keeping Up with the Kardashians, One Tree Hill, Gilmore Girls, The Equalizer, and Warrior Nun. She has also secured commercial campaigns with Samsung, Kleenex, Macy’s, ESPN, and Pringles.

As well as lecturing at the Herb Alpert School of Music, Ames also teaches songwriting at the Berklee Summer Sessions at the Colburn School of Music DTLA.

 

Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Dae Bogan
Lecturer - Music Industry (Entrepreneurship)
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Bobby Borg
Lecturer - Music Industry (Industry Fundamentals)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Adam Moseley
Lecturer - Music Industry (Studio Production)
Kathryn Frazier
Lecturer - Music Industry
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
David Leaf
Adjunct Assistant Professor - Musicology and Music Industry (Music Documentary, Songwriters)
Robert Beamer
Lecturer - Music Industry (Finance and Accounting)
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Stig Edgren
Lecturer - Music Industry
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Robert Fink
Associate Dean for Academics, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Justin Paul
Lecturer - Music Industry

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