David Leaf - The UCLA Herb Alpert School of Music
David Leaf
Adjunct Associate Professor - Music Industry and Musicology (Music Documentaries, Songwriting, History of Popular Music)

David Leaf is a Peabody and WGAW award-winning writer, director and producer, the creative visionary behind such critically acclaimed films and festival favorites as The U.S. vs. John Lennon (winner of the Exhibitors’
Award at The Venice Film Festival), Focal Award winner The Night James Brown Saved Boston, the Grammy-nominated Beautiful Dreamer: Brian Wilson and the Story of SMiLE, and The Bee Gees: This
Is Where I Came In.”

In 2025, he wrote SMiLE: The Rise, Fall & Resurrection of Brian Wilson (published by Omnibus Press) and in 2022, he authored a massively updated edition of his first book, God Only Knows: The Story of Brian Wilson, the Beach Boys & the California Myth (Omnibus Press).

Most recently, in film, he is the writer/director/producer of the feature documentary on Rock & Roll Hall of Famer, Dion: King of the New York Streets, wrote, produced and directed To Tell The Truth (a film about the WWII Japanese internment camps), and was a consultant for the White Horse Pictures production of Frank Marshall’s HBO feature documentary, The Bee Gees: How Can You Mend A Broken Heart.

Leaf’s television credits include being one of the writers on the Emmy-winning, landmark 9/11, all-network telethon “America: A Tribute To Heroes.” That same year, Leaf wrote and produced TNT’s acclaimed An All Star Tribute To Brian Wilson and was a producer of the Emmy-nominated “Billy Joel: In His Own Words (A&E).

As an author, Leaf is known for his books for the Grammy-nominated The Pet Sounds Sessions, his groundbreaking Brian Wilson biography, The Beach Boys & The California Myth, co-authoring The Bee Gees, the group’s authorized autobiography, and writing the Beatles and Beach Boys chapters for Capitol Records’ 50th Anniversary book.

Very simply, whatever the medium, Leaf is a world-class storyteller. You can learn more about his career off-campus at his website, www.leafprod.com.

Since 2010, Leaf has been an essential faculty member in the UCLA Herb Alpert School of Music Music Industry program.

Leaf has created four undergraduate classes: “The Reel Beatles,” a class that contextualizes the Beatles story through television, the films they made and those made about them; a course in music documentary, “Docs That Rock, Docs That Matter”), songwriting (“The Legends of Songwriting: Killer Hooks, Essential Songs & Songwriters of the Rock Era…and Those They’ve Influenced” and “Good & Bad Vibrations,” a course on Brian Wilson and the Beach Boys).

In 2019, Leaf endowed “The Brian Wilson Scholarship for Composing,
Arranging and Producing Popular Music,” awarded bi-annually to a talented, promising junior at UCLA.

In 2020, Leaf received a major grant from the University of California system to turn “The Reel Beatles” into an online course for the entire UC system, and in the Spring of 2023, it was offered online to the UC system for the first time.
In addition to his work as an Adjunct Associate Professor, Leaf has been the Faculty Advisor for Grammy U, has worked with students on their Capstone projects and, for ten years, was the intern supervisor for the Music Industry program, helping guide students each year as they navigate their career path from the Westwood campus into “the real world” of the music business.

David Leaf Talks Beach Boys, Brian Wilson and SMiLE
David Leaf, adjunct associate professor of music industry and musicology at The UCLA Herb Alpert School of Music, has just released his latest book, SMiLE: The Rise, Fall & Resurrection
Professor David Leaf's Book Named One of Top 2023 Rock Books
Next to Bob Dylan’s Philosophy of Modern Sound and Bono’s memoir (yes, that Bono), one of the top rock books of 2023 is David Leaf’s God Only Knows: the Story
Top rock-era songwriters share life lessons of success, setbacks in popular UCLA class
Music and movies have been the main components of David Leaf’s 30-plus-year career as an award-winning filmmaker-biographer. His projects have opened up the lives of the greatest music makers of
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Mark Tramo
Adjunct Associate Professor - Neuroscience (Music, Mind, and Brain)
Tiffany Naiman
Academic Administrator and Instructor - Music Industry (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry, Career Services
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
David MacFadyen
Professor - Music Industry, Musicology and Comparative Literature (Career Skills, History of Music Industry, Internships), Director of Graduate Programs
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Erik Madrid
Lecturer - Music Industry (Mixing)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Tony Brancato
Lecturer - Music Industry (Influence and Data Mining)
Tina Farris
Lecturer, Music Industry (Live Music Touring)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
Marc Cimino
Lecturer - Music Industry (Music Publishing)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Thomas Hodgson
Associate Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Stig Edgren
Lecturer - Music Industry (Concert Promotion)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Justin Paul
Lecturer - Music Industry (DJ as Performer, Music Industry Fundamentals)
Jonathan Beard
Continuing Lecturer - Music Industry (Electronic Music) and Composition
Robert Fink
Professor and Chair – Music Industry, Professor - Musicology And Humanities (History and Analysis of Popular Music, Internships And Industry Partnerships), Director Of The Berry Gordy Music Industry Center
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Kathryn Frazier
Lecturer - Music Industry (Effective Communication and Self-Actualization)
Adam Hirsch
Lecturer - Music Industry (How Music Works)
Dawnyelle Addison
Manager - Music Industry Program
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Adam Moseley
Continuing Lecturer - Music Industry (Studio Production)
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)

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